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A Quiet Loss, A Loud Reminder

Hey lovely people —

 

I’ve been sitting with some heaviness this week, and I want to share what’s been stirring in me — and maybe spark something in you too.

 

You’ve probably seen: Dr. Jane Goodall passed away at the age of 91. 

She left behind a legacy richer than most — a life of curiosity, humility, radical tenderness, and relentless hope. She taught us that observing chimpanzees could reshape how we see ourselves. That small actions — from planting a tree to teaching a child — can ripple outward to change entire systems. 

 

Her death feels like a nudge: that the world needs more people who insist on caring, who lean into what seems impossible, who use their talents as gifts, not just careers.

 

Why This Matters to Us (and Our Work)

 

I think of my art, of the things I create, and how messy and beautiful it is. I think of you — your story, your longing, your resistance. And I wonder: how do we not be overwhelmed by grief, cynicism, or despair — while still refusing to be silent?

 

Jane’s life whispers some answers:

 

  • Start where you are. You don’t need to reinvent the wheel. You can use your “small canvas” — a brush, a word, an idea, a friendship — to practice care.
  • Don’t wait for permission. She didn’t wait until she had a PhD, until the world was ready. She stepped into unknowns and insisted on curiosity.
  • Hope is an act of resistance. In a world that often rewards cynicism, choosing hope is brave. Choosing belief — in change, in people, in connection — is radical.

 

About That Train-Wreck Called Politics

 

(Yes, we’re going there.)

 

I don’t know about you, but some mornings I wake up and the news feels like watching a slow-motion apocalypse — except the special effects budget is terrible and the villains keep bringing popcorn. (If there’s a punchline in modern politics, I’ve lost it.)

 

But here’s something Jane would likely nod at: even in systems that feel rigged, in climates of cruelty and distrust, planting a seed matters. Even when the “big picture” seems irreversibly broken, the little gestures — a piece of art, a kind word, an act of solidarity — become part of the repair.

 

Your work isn’t just decoration or entertainment. It’s a thread in a tapestry being woven toward something steadier, kinder, more durable.

Do something that you can commit to, help where you can , start local, do something you believe in….

 

 

Partner with a local nonprofit, school, library, or elder care home to bring art to people

Be strategic & tenacious

Hope without plan can become wishful thinking

Pick one area (climate, community, education, mental health, etc.) and commit consistently (even if imperfectly)


 

What I’ll Do (So You Don’t Feel Alone)

 

  • I’m declaring my next body of art “Small Acts, Big Hope” — pieces that respond (in color, shape, story) to sorrow, to outrage, to longing.
  • I’ll invite you to co-dream with me — to tell me where you see harm, where you see possibility, and where your hands want to move.
  • I’ll keep reminding myself (and you): we are not helpless. We have pockets of power. We have hearts. We have art.

 

I’ll close with one of Jane’s simple truths:

 

“Every single one of us makes a difference every day — it is up to us as to the kind of difference we make.” 

 

So today, let’s decide what kind of difference we want to make. Let’s lean in — with humor, with tenderness, with stubborn love — and keep weaving.

 

I’m here, creating alongside you. Let me know if you want to hear more about what I’m making, or brainstorm how you might lean your gifts into purpose.


 

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The most powerful art I own…

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well we were not expecting this opportunity!

You know how you decide to do something, and then a 180 degree opportunity presents itself?

 

After eight years of what we thought was retirement-real retirement, the kind with slow mornings and books you actually finish-we found ourselves signing a lease on a new gallery space. It wasn't part of the plan. Not really. The plan was to rest, reflect, maybe travel a little more. We had earned that. Or at least, we believed we had.

 

But here's the thing about stepping away from something you love: it doesn't always stay gone. Sometimes it lingers quietly, like a song you can't quite shake. Other times it taps you on the shoulder when you're least expecting it-say, in the middle of a Tuesday, standing in a tiny coastal town, peering into the dusty windows of a vacant shop and saying, "Wouldn't this make a great gallery?"

 

So that's what happened! And suddenly we were both standing straighter, imagining walls filled with bold colours and textures, the faint smell of paint, the sound of new conversations.

 

We hesitated, of course. I mean, who wouldn't? There were good reasons not to do it-our age, for one. The art world had shifted in those years, too, more online, more ephemeral. We weren't sure we still belonged. And yet we missed it. The people. The pulse of opening shows. Even the chaos of last-minute installations. That strange cocktail of nerves and pride you get when someone really sees what you've created.

 

So we went for it. Cautiously, at first. A soft opening. We didn't shout it from the rooftops. Just cracked the door open and let the light in. And then, slowly, people came. Some old friends, some curious newcomers. They asked questions, stayed longer than expected. One even cried in front of a painting. That moment alone felt like a kind of homecoming.

 

There are still days I wonder if we're a little foolish. Maybe we are. But I've learned that foolishness and passion often travel together. We're not trying to recreate the past. We couldn't even if we wanted to. This new gallery-it's softer in some ways, maybe a bit more generous. Less about proving something. More about sharing. About remembering what art can do when we stop trying to control it so much.

 

We thought we were finished. But I guess not. Apparently, there was still something left to say.

 

So, please help us welcome the Red Art Gallery back, this time in beautiful Sidney by the Sea. We're located right on the Main Street, a block from the ocean at #108 - 2506 Beacon Avenue.

We're having our grand opening celebration on Thursday May 22, from 4 pm to 7 pm. Please join us if you can!

 

Our regular hours of "rewirement" are Thursday, Friday and Saturday from 11 am to 3 pm. If you can't drop by at that time, we still set up appointments!

 

https://www.redartgallery.ca

Cheers,

Marion and Bobb

 

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Do Our Memories Lie to Us? The Art of Perspective and Second Chances

I've just finished reading three books-each wildly different in style, written across two decades, yet strangely connected. One was written 20

years ago, the others within the past two years, but all explored the same haunting theme: how one irrevocable act can ripple through lives, leaving a wake of harm, and how memories and perspectives shape our understanding of those moments.


It got me thinking.


Memories are never one thing. They're not photographs, frozen and unchanging. They're more like paintings-each one filtered through the artist's mood, their skill, their chosen colours. Imagine a single still life: a vase of flowers, a piece of fruit, a tipped-over wine glass. One artist paints it in soft, golden light, each detail glowing with warmth. Another paints it in stark black and white, emphasizing the shadows. A third exaggerates, making the fruit look almost grotesque, while a fourth reduces the whole scene to abstraction.


Now, imagine those paintings are memories.


No two will ever be the same, even if they capture the same moment. What you see is not what I see. What I recall is not what you recall. And here's the twist: these differences don't just reflect who we are-they shape how we make sense of the world.


Take those books I mentioned. In each story, a single act-whether a lie, a betrayal, or an impulsive decision-created irrevocable harm. But the weight of those acts? It depended entirely on whose story you believed. For one character, the choice seemed justified. For another, it was unforgivable.
That's the human condition, isn't it? No one has a monopoly on the truth, because truth itself is shaped by perspective. And memories? They're slippery, shifting things, coloured by time, emotion, and our need to make sense of the past.


The act of painting-or remembering-is a choice, too. What do we highlight? What do we blur out? What do we erase altogether? I've come to realize that just as there are no perfect paintings, there are no perfect memories. There's only what we create-and what we choose to carry forward.
This brings me to a bigger question, one the books wrestled with too: What about second chances? If our memories are flawed, if they're just versions of the truth, how do we decide who deserves redemption?


It's complicated.

 

But maybe it's not about agreeing on one truth. Maybe it's about holding space for the gallery of memories-the warm, the stark, the exaggerated, the abstract-and trying to see the humanity in them all.
So, what do we do with our own still lifes? Do we repaint them? Learn to live with them? Or, maybe, just maybe, leave space on the wall for someone else's painting-one we don't entirely understand but might, in time, come to accept?


I'd love to hear your thoughts. How do you approach the imperfections in memory, in art, in life?


Warmly, Marion

https://www.marionevamy.com

https://www.redartgallery.ca

 


p.s. The books, in case you're interested are:

Vanishing Acts by Jodi Piccoult

The Berry Pickers by Amanda Peters and How to Read a Book by Monica Wood. I can highly recommend all three!

 

 

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Tooting your horn…

I'm told I don't 'toot my own horn' enough, so here I am, giving you a boast and a honk about some of the places who hang my work in public!

And of course, there are thousands of private homes that also share their "me!" creations with friends and family. I am grateful for every one of them! Many of my Collectors continue to add new works, somehow managing to find another wall in their homes.


I have five paintings that have been inducted into the permanent collections of these Canadian businesses and institutions:

Calgary Exhibition and Stampede, Glencoe Club, Sequoia Event Centre and the Alberta Children’s Hospital. If you’re in the area, drop in and have a look!

 

Truly blessed to be able to "work" at what I love - and fortunate and proud to be able to fundraise over a hundred thousand dollars for many charities via my creative talents. This is a thank you to those of you who have supported me along my 20 year (and counting) path of being a full time professional artist. 

 

I'm looking forward to new experiments and creative adventures - and I hope you continue to enjoy alongside me, whether via my occasional newsletters, new artwork alerts, social media or seeing my work in "the real". As always, I welcome the chance to paint something special or "bespoke" if you have an idea or missed out on that one you really loved....


www.marionevamy.com

instagram.com/marionevamy

 

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Can You trust your memory?

The precarious nature of memories...


It's a really intriguing question to ponder, how does time and space affect memory? And in fact, the converse, how does memory affect our perception of time and space?

 

I won't get all 'quantum theory' here, but I found this very interesting article by neuroscientist Andre Fenton, that I have shortened and summarized here.

 

Being an artist, the concept of perception is tied closely to my craft. I'm free to 'play' with perceptions as an artist, and so the concept of how science says that our perception is affected, is very intriguing.

 

Here's what the latest studies in neuro-science show:

The representations that we build of time and space in the brain, form the framework in which we experience the world, so that we can collect from the experiences, the memories that we keep.

And at the very same time, those memories that we keep, they are modifying - they are changing the very substance of that framework, so that in the future, our next experiences are predicated on that modified framework.

 

There's a fundamental interaction between our past experiences, and how we approach the world to collect new experiences, that we then turn into memories.

 

So what these studies are really telling us, is that we can't fully trust our memory.

So if you have a group of people that have deep beliefs and feel their memories are noble and true, they will react very differently than another set of people who recognize their memories are not likely entirely accurate. Cognitive psychologists knew long ago that mindset was really crucial to not only how we perceive the world, but how we remember things from the world.

 

Here's a concrete example; when you remember something, there's actually an interaction of three crucial things; what you know - the mindset you came to make "memories" from - and the cues that are used for the recollection. These three 'components' are fundamentally and intimately intertwined, you can't recollect or make a memory, without all three things.

So the fundamental fact is that when we experience the world, when we have thoughts, we are using our brains. And the brain is a self organizing system. Through its own use it gets modified. (same as algorithms)

We are not simply reproducing what it is that we had experienced. We are reconstructing, we are constantly building a new experience.

 

At the level of perception, we can all experience what would appear to be the same thing. For example, look out the window and down the street. Everyone will focus their attention on different aspects of what's available for them to recollect. So naturally, we 'perceive' that we have a recording of the actual events as they happenedâ¦

 

When we retell the stories and recount them, we reconstruct those events from what we "remember" â¦. Which is kind of scary based on my 'memory' these days! Those memories are fragments, and we build stories within our mindset, and the stories are triggered by the cues that we're using to retell those stories.

 

At the end of the day, many of us seek to come to an understanding of 'the truth', something that we can all agree on and recognize as being meaningful and honest and universal. How do you accomplish that? Well, by recognizing that we all have access to that truth, and that we all have distorted perceptions, and we will later have a distorted understanding and recollection of the perception called memory.

 

So, if we are to understand and believe this 'process' of memory, it demands that we act in the world with certain sense of humility and empathy for others.

If you're open to listening, if you're open to self correction, then you know that you can't knowâ¦. When new evidence appears, or a new point of view appears, by being ready to consider it, by being mindful of what is available to understand, we have a chance at least to converge, not on what I think is right or what you think is right, but what actually might be true.

 

Wishing you all a wonderful weekend, full of great memories!

P.S. thank you to all the folks who participated in our online art auction earlier this month. We raised and donated $5500.00 to the Victoria Foundation to support local charities.

 

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Do you believe everything you see or hear?

Yes, it's true. Pablo's ears are big enough to detect alien activity in outer space. He is the newest addition to our canine family, and yes, he can hear a whisper from 200 yards away!

 

The other new addition is this amazing print by artist Jonas Peterson, created ENTIRELY (not a photo of someone) via artificial intelligence (AI) with a program called MidJourney.

No, I am not turning to Artificial Intelligence to create, but I was so intrigued by this new technology, I wanted to buy a first edition print from the artist to see for myself what the fuss was all about!

 

This is how MidJourney describes themselves: Midjourney is an independent research lab exploring new mediums of thought and expanding the imaginative powers of the human species.

 

I'm sure most of you have heard about the way artificial intelligence technology is quickly overtaking our world in many areas, especially on the social media front and in the guise of "fake news."

But for me, the most interesting aspect is how AI can be used as a tool for creating new art.

I don't plan to use it myself as I love relying on my imagination, and working with the tactile and time-honoured materials of paint and canvas.

 

AI is changing the future of art in amazing ways, but the technology has several flaws. AI does have a very frightening side - many people are unable to distinguish artificially generated imagery or videos from reality. AI also has some major ethical concerns. Copyright violation is the biggest problem alongside the ongoing debate on whether AI-generated images are real art at all.

 

ALL AI generated art, culls from existing images, videos, text, and so on, all of which come from the internet.

The AI's developers can just take this data and feed it into their engine without notifying the original owners.

 

Artists can do nothing to reclaim their property nor stop engines from taking more. AI does not protect artists' copyright laws. Artists cannot give permission or take credit or payment for their unwilling contribution to the new image.

Artists also have to compete with free and easy-to-use art-generating software that makes potential customers turn to AI instead of human artists.

 

We can't do much about the alien conversations that Pablo picks up with his canine radar dishes, but we humans will have to decide how much artificial intelligence to allow into our lives, and at what cost to our moral and social fabric? It's an interesting and important debate.

 

The 'fakery' posted online, can be amusing, but it can also be used in insidious ways, for example, to place you in a photograph and situation in which you have never been, nor would you. Your voice can be used to 'say' things you would never say.

 

I would love to hear your thoughts on Artificial Intelligence. Happy April from the very real and original artist, 'me!'

 

 

 

 

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Have you ever walked into a room and felt a distinct energy shift?

 

A couple of days ago, I felt that I was being prompted to get writing my first blog and newsletter of 2023, based on recent experiences of this notable change in energy!

 

On Wednesday, a lady walked into my studio, and remarked "wow, did I ever get an energy jolt when I came in here." She was the third person in as many months who expressed the same feeling when they arrived in my working space.

 

As a fan and amateur student of quantum physics theories, I got to wondering how energy, memories and 'perceptions' all worked in the experience we humans have, when we feel a distinct 'pull' or gravitational shift. Something that's tough to describe, but we somehow "know" that energy has shifted or moved in some way.

 

Every single physicist agrees on one thing: it is the act of observing an object that causes it to be there, and where and how we observe it.

 

I know this one is very hard to get your head around!

 

Energy forms the subatomic particles that, in turn, make up atoms and, finally, matter. Physicists have also discovered that quantum particles make decisions. They are powered by intelligence, and they know instantly, what decisions are being made by other particles anywhere else in the universe!

 

What the heck?

 

Imagination is the force that takes you places you have never been. Napoleon Hill said that the imagination is the most marvelous, miraculous, inconceivably powerful force the world has ever known.

 

Life is imagination, images of the mind, expressed into physical form.

 

So, all I can deduce from all this inexplicable science, is that because I am continuously using my imagination to paint and create within this studio space, that other people pick up on the 'energy' contained within the four walls. And further to that, art has the power to change the world!

 

Now that I've added to the confusion and 'wonder' of what it's all about - please feel free to drop us an email or call to arrange a visit to the studio and gallery! You can also purchase directly from the website via the wonders of technology!

If you are on 'social media' - I am there as well, throwing around creative energy on both Facebook and Instagram. Links are below, please follow us there.

 

What about when you walk into a room and can't remember why you are there!!!! Apparently, there's an explanation for that as well, besides old age brain fog!

 

 

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My Mom and Arnold Schwarzenegger in the hotel elevator!

Yes, my mom did end up alone in an elevator with Arnold, but she didn't know who he was!
It's a long and funny story, just part of a jam packed wedding celebration in Toronto last week.

 

And a few other adventures along the way include some big news for me in regards to an 'award' and upcoming online show, and an art-filled excursion to Montreal.

So, this blog is being written 'on the road' to let my Collectors and supporters have first notice and dibs on a painting that has been juried into the Art2Life Academy 2022 Exhibition, curated by San Francisco gallery owner Jack Fisher.  I just found out today!

'Hot Pants" was selected from over 1700 entries and can be purchased directly from me, through the website: https://www.marionevamy.com/workszoom/4647710/hot-pants#

 

It's an original mixed media painting on canvas, 36 x 40 inches $4400 CDN.

I am honoured to have my painting 'Hot Pants' chosen for this show, which boasts artists from all over the world.

Please contact me if you have any questions. The show goes public and online on August 29th - here's the link:

Click here to download the Art Collector Preview PDF

 

We travelled over to Montreal after the Toronto wedding events and have had an array of great art (and food) experiences to add to the creative library bank in my brain.

 

One of the most interesting and 'new to me' experiences, were a series of virtual reality adventures at the PHI Foundation in Montreal. We also visited galleries who carry contemporary artists', whose work I have discovered online, and admired for many years. These paintings and sculptures were FANTASTIC to view in real life. As many Collectors have told me - 'your art is so much more amazing in real life'- it's true - I was amazed at how wonderful it was to see other artists work for real!

 

I have more news to announce about an upcoming fun fundraiser, but that will come soon, in the next newsletter. Thank you for sharing in my excitement!

As always, you are welcome to visit our home gallery by appointment, please call or email to arrange. 250-881-0462 or [email protected].

 

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Do you know what inspires you?

 

 

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